Soprano Winnie Nieh* (聶樂天) from Hong Kong made her European solo debut under the baton of legendary Maestro Helmuth Rilling, and was invited by the Metropolitan Opera Guild to perform at Dawn Upshaw’s master class as one of two featured young singers. A versatile artist gifted with perfect pitch, she is praised for her “fantastic facility” and “clarity of tone”. She won First Place in the 2012 St. Andrews Arts Council International Aria Competition (Canada), and was awarded Third Place and voted as Audience Favorite in the 2013 Madison Early Music Festival’s Handel Aria Competition (Madison, WI).
She received Associate of Trinity College London diplomas in voice, violin, and piano while still a teenager, and her B.A. with a language citation in French from Harvard University. She was a Resident Artist with Opera Company of Brooklyn in 2011-2013.
This season’s highlights include: The Song Continues workshop at Carnegie Hall, Martina Arroyo Foundation’s Role Preparation Program, Opera Singers Initiative on full scholarship, and SongFest at Colburn as a Professional Program Fellow, also on full tuition merit scholarship.
Ms. Nieh enjoys performing a wide range of repertoire. She appeared as a soloist in a staged lute song project at the Amherst Early Music Festival, where she worked with Julianne Baird and Grant Herreid. Since her operatic debut as Susanna (Le Nozze di Figaro), she has performed numerous roles including: Pamina and Papagena (Die Zauberflöte), Blondchen (Die Entführung aus dem Serail), Despina (Così Fan Tutte), Madame Herz (The Impresario), Amor (Orfeo ed Euridice), Voce dal cielo (Don Carlo), Olympia (Les Contes d’Hoffmann), La Fée (Cendrillon), Lucinde (Gounod’s Le Médecin Malgré Lui), Sophie (Der Rosenkavalier) and Violetta (La Traviata). Her solo oratorio experience includes: Bach’s Mass in B Minor, St John Passion and Magnificat in D, Monteverdi, Schütz, Vivaldi’s Gloria, Handel’s Messiah, Haydn’s Creation (as Eve) and Lord Nelson Mass, M.A. Charpentier’s Messe de Minuit, Mozart’s Requiem, Coronation Mass and Der Messias, Mendelssohn’s Magnificat (Op.69/3), Brahms’ Ein deutsches Requiem, Fauré’s Requiem and Beethoven’s Mass in C. She has also premiered works at Juilliard and Longy School of Music.
She currently studies with Neil Semer in New York, NY.
Photo: Dan Demetriad
*Nieh is pronounced as [NEE-ay] and rhymes with Pie Jesu.